Careers
We hire people who'd be doing this anyway.
What we make
Digital commercials for Flipkart and Asian Paints. Brand films for Aditya Birla and Godrej. Corporate AVs for Tally and YouTube. Testimonials for Polycab. Short-form social for Paytm Insider. The work earns the next brief — and that's the only metric that has ever mattered here.
How we work
Brief in. Concept. Script. Shoot. Edit. Ship. The team is small enough that you'll be in the room for all of it. No producer pyramid. No three-week kickoff. No pitch deck about pitch decks.
Who lasts here
People who care more about the cut than the credit. People who'd rather solve the problem than name the framework. People who watch other people's work, on weekends, for fun. If that's you, send us the work — even if there's no role open right now.
Open positions
Post-Production
Senior Editor
What you'd actually do
You'd cut the brand films and DVCs the studio is built on — Tally launches, Asian Paints campaigns, Aditya Birla and Godrej projects. A typical week is one project in fine-cut, one in rough-cut, one in review with the director. We work in DaVinci Resolve. You'll sit next to the director, the colorist, and the sound lead — not in a service queue. You'll own delivery formats, the version log, and the conversation with the client when a frame needs to defend itself.
What we're looking for
Someone whose taste arrives before their reasoning. Five to eight years cutting brand work. Strong in pacing for emotion, not just for narrative. We don't care which film school. We care that you can show us a cut you're proud of and explain a single decision in it without slipping into jargon. Bonus if you have a habit of watching other people's work — Saturday morning, with coffee, no obligation.
What you'd get
A seat in the room for every project the studio takes. A small team with no producer pyramid. Real briefs from real brands. ₹15-25L per year, depending on experience, plus a per-project completion share for projects you anchor. Mumbai office, hybrid friendly, and a film studio that pays for the things that matter — your monitor, your headphones, the coffee.
Production
Producer
What you'd actually do
You'd run the production calendar across 4-6 active projects, schedule shoots, manage vendor payments, and keep the director's day clean enough to direct. Real days look like: a morning call with a client about a delivery, a vendor negotiation at noon, a recce in Bandra in the afternoon, and a budget reconciliation at the end of the day. You'll own the master schedule, the master budget, and the calm voice on shoot day.
What we're looking for
Three to six years on commercial productions in India. Comfortable with both ad film budgets and indie scrappiness. The kind of person whose vendors call them back. Strong written communication — half the job is briefs and follow-ups. Bonus if you've worked with brands in BFSI, lifestyle, or B2B SaaS — that's most of our client list.
What you'd get
A director who trusts your judgment, a finance team that pays vendors fast, and a real seat at the table on creative decisions. ₹12-20L per year. Mumbai office, hybrid friendly. Reimbursed travel for shoots.
We hire when the right person walks in.
Even if nothing on this page fits, send us your reel and three lines about why ShrtFrm. We read everything that comes in.